His latest documentary, A Compassionate Spy, might seem on the surface to be a departure. The film tells the story of Ted Hall, a physics prodigy who, at age 18, was invited to join the Manhattan Project. Perceptive beyond his years, Hall found himself haunted by the implications of his work and, in 1944, made the decision to share nuclear secrets with the Soviet Union. As compelling as this tale of espionage is, James’s film becomes, in the director’s words, “a love story,” with Ted’s widow Joan taking center stage as she recounts their life together, sharing the burden of her husband’s secret. For today’s episode, Film Comment editor Clinton Krute called up the director to discuss the impetus behind A Compassionate Spy, the film’s surprising use of recreations, and how Ted Hall’s fascinating story might complement—or offer a counter to—the themes of a certain summer blockbuster about atomic weapons. (Hint: it’s not Barbie.)
