Apples

While they undoubtedly conjure associations with Eden and forbidden knowledge, apples in Czech culture are associated with good luck, and frequently appear in kraj, Easter egg, and needlepoint designs. (A Czech Christmas dinner tradition involves everyone slicing an apple down the middle. If the core is shaped like a star, it’s good luck; if it has four points, it means someone at the table will die within the next year.) 

Overconsumption

Throughout the film, the two Maries eat to excess, usually at the expense of an older man who’s trying to bed them. Their unapologetic gluttony is not only an affront to traditional images of femininity, but also reveals how certain systems can be turned to an individual’s advantage.

Cutting

The frenetic visuals and varied formal techniques in Daisies evoke collage, a beloved practice of Surrealists like Kurt Schwitters and Hannah Höch. In this sequence, what Chytilová is doing as a director is mirrored by her anarchic characters. Oh yeah, and there’s probably something about castration anxiety here too.

Double Vision

The ambiguous final titles read: “This film is dedicated to those who get upset only over a stomped-upon bed of lettuce.”

Eat Me  Vera Chytilov  apos s Daisies - 22Eat Me  Vera Chytilov  apos s Daisies - 2Eat Me  Vera Chytilov  apos s Daisies - 59Eat Me  Vera Chytilov  apos s Daisies - 55Eat Me  Vera Chytilov  apos s Daisies - 83Eat Me  Vera Chytilov  apos s Daisies - 80Eat Me  Vera Chytilov  apos s Daisies - 72Eat Me  Vera Chytilov  apos s Daisies - 79Eat Me  Vera Chytilov  apos s Daisies - 78Eat Me  Vera Chytilov  apos s Daisies - 92Eat Me  Vera Chytilov  apos s Daisies - 17Eat Me  Vera Chytilov  apos s Daisies - 85Eat Me  Vera Chytilov  apos s Daisies - 86Eat Me  Vera Chytilov  apos s Daisies - 70Eat Me  Vera Chytilov  apos s Daisies - 87Eat Me  Vera Chytilov  apos s Daisies - 85